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Craft Corner with the Dancers of BTM

Updated: Jul 25

Three women kneel on a studio floor, carefully sewing and pinning a sparkly lavender tutu costume with purple tulle and gems.
Clara Molina, Catherine Welch, and Hannah Hanson put finishing touches on the Sugar Plum Fairy tutu

When people describe ballet dancers, they often include words like "hard-working" or "diligent." This is true not only when we're dancing, but also when we have some time on our hands! When we're not participating in a rehearsal, you'll often find us going over choreography or practicing some cross-training. For a number of BTM dancers, you may even find them working on a quiet handicraft!


BTM has long had what we lovingly call "Craft Corner," where dancers on a rehearsal break make progress on their creative projects. It's common to see them keeping their hands busy during downtime, especially as an alternative to doomscrolling on their phones. The process usually results in some beautiful final products.


Read on for a few examples of what BTM dancers have been creating, including a sneak peek into costumes for our all-new production of The Nutcracker!


Embroidery, Crochet, and Knitting

Rachael Spicer

Smiling dancer sits on a studio floor reading paper patterns beside embroidery hoop and a Ballet Theatre of Maryland tote bag.

Corps de ballet member Rachael Spicer is just starting her new project: an embroidered tablecloth. Here you can see her preparing her supplies before she gets started.


Girl in black sportswear sits on a gym floor holding an embroidery hoop over cream fabric, focused and calm, with bags nearby.

Amanda Cobb

Woman in a green sweater knits in a dance studio while dancers rehearse ballet poses in the mirror-lined background.

Demi-soloist Amanda Cobb observes Party Scene rehearsal as she works on the first piece of a complex sweater. Not only is she busy with a work-in-progress, she's also wearing a sweater that she crocheted!


Erin Jenkins

Ballerina in a gray cardigan knits black-and-white yarn on the studio floor, sitting beside bags and water bottles.

Demi-soloist Erin Jenkins first started knitting legwarmers when she was 17. It was originally a way for her to make a little money while she was finishing up high school, but now she loves to make them as gifts for her friends.


Close-up of gloved hands knitting gray yarn with wooden needles on a black lap, with a phone nearby.

Hannah Hanson

Two smiling women in a mirrored dressing room hold up a multicolored knitted sweater, chatting amid bags and people.

Demi-soloist Hannah Hanson had already finished the shrug she's holding up to show Catherine Welch, but she's not satisfied with how the neckline turned out. Her project for the day is to take the neckline apart and redo it.


Sewing Costumes

Clara Molina

Hand holding a shimmering purple, gem-studded costume with lilac tulle in a backstage dressing area with bags behind

While working on costumes isn't a personal craft, it reflects the same skill, diligence, and attention to detail. Demi-soloist dancer and Wardrobe Coordinator Clara Molina is responsible for designing and constructing the Sugar Plum Fairy tutu for our new production of The Nutcracker. The full costume has been complete since the spring, but Clara continues to add a few finishing touches.


Person hand-sews a sparkling purple-and-pink tutu costume on a black floor, surrounded by bags.

Putting together a tutu can be a three-person job! Below, Clara and Catherine sew gems onto the Sugar Plum tutu as Hannah applies a liquid seam sealant to protect the edges of the tutu's overlay from fraying.


Three women sit on the floor, carefully sewing a sparkly purple tutu costume with tulle, beads, and fabric in a focused workshop.

Danielle Daniel

Young ballerina in pink sweater hand-stitches a pink tutu on a bench; ballet shoes and water bottles in the background

Elsewhere in the room, trainee dancer Danielle Daniel has volunteered to sew hook-and-eye closures onto the new Ballerina Doll tutu. Different dancers will wear the same costume during the run of a production, so adding a few rows of eyes allows each dancer to have their own perfect fit.


For the Non-Crafters: Sewing Shoes and Reading Books

Even for those of us who don't do crafts, there's one task all of the ladies have in common: sewing pointe shoes. Having supportive shoes is essential to dancers' physical wellness, so it's important that we stay on top of preparing new shoes.


Below, demi-soloist Marjorie O'Hearne works on her shoes as she observes Party Scene rehearsal. Sewing on ribbons and elastics ensures that our pointe shoes conform to our feet as we move.


Seated ballet dancer trims pointe shoes in a mirrored studio while classmates practice in colorful skirts and tights.

Here, corps member Ellie Goods darns the tip of her pointe shoe to extend its longevity and enhance her balance en pointe.


Young ballerina in a Ballet Theatre of Maryland T-shirt stitches a pink pointe shoe in a dance studio.


Lastly, demi-soloists Mimi Hardin and Catherine Welch show off their current reading material.


Two smiling women in black hold books, including A Torch Against the Night by Sabaa Tahir, in a bright room.


No matter what we're up to during our downtime, the dancers of BTM are hard at work preparing for our all-new production of The Nutcracker! In just three weeks, we'll premiere the show at Coppermine Pantherplex in Hampstead, MD. Visit our Nutcracker page to get your tickets for Hampstead or our Annapolis performances in December.


Ballet dancers pose in The Nutcracker poster on a blue snowy background with white snowflakes.

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