Somewhere along the way, every dancer of BTM was a young person who took a dance class, went to a performance, or saw a ballet video and said, "I want to do that." Although there are no guarantees that a given pre-pro dancer will find a job, it takes that initial spark to sustain them through the challenging path of becoming a dancer.

Photo by John Welch That's a wrap on Season 47! After our performances of La Esmeralda and an exciting Arts Integration performance with AACPS students, we at Ballet Theatre of Maryland drew our mainstage season to a close. It's been an exciting season: after the return of the company- and audience-favorite Giselle in October, this season was all about sharing something new. Our Artistic Director Nicole Kelsch staged her all-new Nutcracker, which infused the familiar holiday

We are less than a week away from our performances of La Esmerada, and the ballet is steadily coming together! This week, I'm zooming in on an important part of the show: props. Many elements work together to build a production, including lights, costumes, sets, and props. In Esmeralda, the props are surprisingly significant. A book, a rope, a knife--while this sounds not too distant from a rousing game of Clue, there's a variety of props in La Esmeralda that all contribute t

Our company premiere of La Esmeralda is only a few short weeks away! Adapting Victor Hugo's The Hunchback of Notre Dame for the stage, this production is full of adventure, romance, and daring. But how did the novel turn into a classical ballet? Is the story the same as the book? What should audiences expect to see onstage?