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Under Construction: BTM's New Space!

BTM dancers Paul Lytle, Karissa Kralik, Isaac Martinez, Clara Molina, and Brayden Page unveil the new space
BTM dancers Paul Lytle, Karissa Kralik, Isaac Martinez, Clara Molina, and Brayden Page unveil the new space

Have you heard the news? Earlier this year, BTM expanded our space! The new location, just a few doors down from our current Annex studios, triples our footprint on Moreland Parkway.


The company has big plans for building out the space, including two new studios for classes, a scene shop, costume and set storage, and a large multi-use rehearsal space that will reflect the size of the Maryland Hall stage. Not only will this new space allow us to work smarter as a performing arts organization and conservatory for dance, but it also has the potential to grow into a significant community resource.


Board President Edward Atsinger and Artistic Director Nicole Kelsch on move-in day
Board President Edward Atsinger and Artistic Director Nicole Kelsch on move-in day

We're incredibly grateful for the support of the Atsinger Family Foundation to make this acquisition possible, and BTM has been working hard behind the scenes to turn this dream into a reality.


As we develop our plans and continue fundraising, we're already putting the space to good use! Read on to look behind the scenes at how we're using the new space this summer and take a sneak peek into its future.


Putting Everything in One Place


One aisle's worth of costumes in our new storage location
One aisle's worth of costumes in our new storage location

There's a lot that has to be put together before a ballet production goes onstage.


Think about every costume piece, furniture item, handheld prop, or constructed piece of scenery you've ever seen in a BTM production. While we sometimes rent backdrops, most everything else was lovingly crafted for the stage.


When BTM premiered our current production of The Sleeping Beauty in 2024, for example, approximately 75% of the costumes were brand new. The company has been adding one new ballet or more to our repertory each year since Nicole Kelsch took over in 2020, and all those costumes and scenic pieces add up.


The confectionery carts from Act II of The Nutcracker are stored by the Rat King's ship, which was constructed to stand on its stern to fit off-stage. Beyond the curtains, students take class in our temporary studio.
The confectionery carts from Act II of The Nutcracker are stored by the Rat King's ship, which was constructed to stand on its stern to fit off-stage. Beyond the curtains, students take class in our temporary studio.

Being able to craft so many of our set and costume pieces in-house is a wonderful achievement for a company of our size, but storing everything had become increasingly challenging. As storage spaces became more cramped, it was harder and harder to protect these items that our team had worked so hard on.

As a short-term solution, our sets and costumes ended up being split up into a few different storage locations. Now that we've acquired the new space, it's wonderful to finally have everything in one place.


Some of our tutus are stored in specially constructed cubbies, which helps the platter of the tutus maintain their shape. Behind it, labeled boxes store headpieces and other small, delicate items.
Some of our tutus are stored in specially constructed cubbies, which helps the platter of the tutus maintain their shape. Behind it, labeled boxes store headpieces and other small, delicate items.

There's progress to be made with how our new storage is organized, but it's already a huge improvement. I'm sure that our Wardrobe Coordinators and Technical Coordinator have breathed a sigh of relief that they can see everything safe and sound!


You might recognize these rolling flats as the walls of Clara's house in our new production of The Nutcracker. We transport them on their sides with the help of the dollies that are stacked to the left. Further back is an assortment of prop spears and swords.
You might recognize these rolling flats as the walls of Clara's house in our new production of The Nutcracker. We transport them on their sides with the help of the dollies that are stacked to the left. Further back is an assortment of prop spears and swords.

Making Room for Young Dancers to Thrive

Not only has our storage been bursting at the seams in recent years, but so has our class schedule! Even with holding some classes at Maryland Hall, BTM has had the (albeit positive) challenge of trying to accommodate all of our students' needs with only two studios of our own.


Plans for the new build include two new studios, which will allow us not only to stretch out now but also to prepare for future growth.


Having all that space ready will take a little more construction, but our summer intensive dancers are already taking advantage of a temporary studio.


In the short term, BTM has made the space feel more comfortable with large area rugs. This week, I got to watch the dancers happily plop down on this soft spot during their breaks.
In the short term, BTM has made the space feel more comfortable with large area rugs. This week, I got to watch the dancers happily plop down on this soft spot during their breaks.

Although this isn't the final form for this space, it already has all the comforts of home: a sprung floor, portable barres, and rolling mirrors. What more could a dancer ask for?


This side view of the Harlequin-brand sprung floor shows how the boards elevate the dance space off the subfloor while providing necessary cushion and bounce for when dancers land from jumps. On top, we've laid the same kind of non-slip vinyl dance surface (known as Marley) that we have in our other studios.
This side view of the Harlequin-brand sprung floor shows how the boards elevate the dance space off the subfloor while providing necessary cushion and bounce for when dancers land from jumps. On top, we've laid the same kind of non-slip vinyl dance surface (known as Marley) that we have in our other studios.

With the company set to premiere a new production of Coppélia next spring, it's become a major theme of the choreography students are learning. For our Beginner/Intermediate intensive students, that's included learning Swanhilda's Act I variation with Ms. Karissa.


Principal dancer Karissa Kralik works with the students in variations class
Principal dancer Karissa Kralik works with the students in variations class

At the end of our young dancers' two-week program, they'll perform a few different excerpts from Coppélia along with a contemporary dance by Ms. Alyssa.


At the end of Swanhilda's variation, she throws a bit of a temper tantrum. The dancers really enjoyed practicing this part!
At the end of Swanhilda's variation, she throws a bit of a temper tantrum. The dancers really enjoyed practicing this part!

Our Intermediate intensive dancers start in July, and they'll also get to work in this space. I'll have updates on their experience (along with our 5-week Advanced program) in my next blog post.


Building It Out

Although BTM is already taking advantage of the new space, we still have some work to do for it to reach its full potential.


Edward Atsinger speaks at the 2025/2026 annual gala. Photo by Lauren Martinez
Edward Atsinger speaks at the 2025/2026 annual gala. Photo by Lauren Martinez

At our annual gala in April, Board President Edward Atsinger announced that the Atsinger Family Foundation has committed to providing long-term funding for the acquisition of BTM's new space.


Additionally, he shared that an anonymous donor had pledged a $150,000 matching gift toward renovating the new space. This was a huge boost to our progress, and we are grateful to everyone who has donated for the match so far. We hope to carry this same momentum forward as we continue to fundraise!


Guests enjoying the gardens of the William Paca House at our 2025/2026 gala. Photo by Lauren Martinez
Guests enjoying the gardens of the William Paca House at our 2025/2026 gala. Photo by Lauren Martinez

While the Atsinger Family Foundation has generously committed to supporting the ongoing overhead costs for the new space, we would not be in a position to fund construction without incredible support from our donors. With our community's help, there will be so many wonderful things to look forward to in this new space.



Stepping onto the dance floor for the first time, earlier this week
Stepping onto the dance floor for the first time, earlier this week

Speaking for myself, it has been such a blessing to be part of the company's transformation in recent years and, most recently, to have a front-row seat to this newest venture. Although the new space is very much still a work in progress, we can't wait to invite our community inside.


Photo by Joanne Salyer
Photo by Joanne Salyer

I hope you've enjoyed hearing about what we've been up to with our expanded space! We'll be back soon with more updates on the summer intensive and more.


If you're interested in learning more or helping to support our renovations, please reach out to us at 410-224-5644 or visit our Donate page.


Visit our Season Announcement page to find out more about next season
Visit our Season Announcement page to find out more about next season

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